In some ways, it’s as if she’s still here.
Like many of her friends and fans, I’ve been reading her books again – it’s a way of bringing her closer, providing comfort in bleak and sad times. What re-reading her novels has also served, is to remind me of what an astonishing talent she possessed.
From her very first novel, Battleaxe (which changed the landscape of fantasy publishing in Australia) right through to her final books, The Devil’s Diadem and the posthumously published collection of short stories, The Hall of Lost Footsteps, the breadth and depth of her work, the way she used and transformed history, invented complex and rich societies; the liveliness and courage of her characters, their weaknesses and strengths, passions and foibles, are all there to enjoy whenever we want.
The problem with this, of course, is that the experience is bitter-sweet. On the one hand, you plunge into a novel (actually, you’re grabbed by the throat and dragged into the world between the pages whether you’re ready or not) and lose yourself in an astounding tale. On the other, once the final line is finished, there’s the cruel reminder that never again will there be the opportunity to dive into a new Sara Douglass invention.
Every day around the world, someone who has had the Douglass experience wakes to the knowledge that they won’t again – at least, not in the same, thrilling way that first encounters engender – and they too mourn what we’ve all lost.
Then, there’s also the powerful truths contained in her blogs, like the one reproduced here, The Silence of the Dying. Here, Sara discusses death, giving voice to those who cannot speak for themselves as well as bearing her heart and fears in such a raw and frank way. Reading it again isn’t easy, but it is a privilege; a difficult, demanding one, but a privilege nonetheless and I’m grateful to Harper Collins and Voyager for this.
Sara’s words, the lyrical, sensual, sorrowful and authoritative, however, are only one aspect of Sara’s life and thus death. For those who truly knew and loved her – those few whom she admitted into her extremely private world – her loss is both a yawning chasm and a constant whisper, a murmur in the heart and soul that reminds you of the joy her love bestowed and the anguish it’s no more. The song of her surcease should be sung – not as a dirge, but as a sweet refrain.
In commemorating Sara’s death, I think it’s more appropriate we remember her life. We should, on this day especially, celebrate her accomplishments. But let’s not forget the amazing, beautiful woman behind the words – her knowledge, compassion, honesty, empathy and her delight in a life cut brutally short.
We’re so fortunate Sara’s spirit lives on her words. Every time we read or recall these, it’s comforting to know that, like her characters, she is also brought to life again and again and again…